The script is important during the process of rehearsing and staging plays. Therefore, a thorough understanding of the text is needed. The script is also closely related to the staging’s supporters. In the meantime, if you also need a script that is good, you can try one-act stage plays.
Here are some forms of script relationships with people involved in the play:
1. The script’s relationship with the producer
Producers can provide script choices to the director. Furthermore, the producer estimates the funding requirements according to the script chosen by the director. Based on these estimates, the producers are trying to raise funds from various sources, one of which is the entrance ticket.
2. The script’s relationship with the director
The director is a theatre element who must understand the script very well because he is in charge of interpreting the contents of the script. A creative director can turn a story in a script into a story that lives on stage. Through the work of the director, the author’s intent can be conveyed to the audience.
3. The script’s relationship with the cast
Players are tasked with understanding the characters in the script. Directed by the director, the player tries to turn the characters in the script into real characters on the stage.
4. The script’s relationship with stage relatives
Stage relatives (stage stylist, lighting designer, property stylist, music designer, dress stylist and make-up artist) carry out their respective duties based on the script. The stage relatives realized the demands demanded in the script under the direction of the director.
Manuscripts are very important as a source of stories, especially in modern theatre performances. What about traditional theatre? Traditional theatres usually hold performances without a script. Traditional theatre takes stories from:
fairy tales
local heroic stories
history of ancient kingdoms
history, origins and legends
puppet stories
folklore from other countries
adapted translation stories.
Before a traditional theatre performance, performers and directors, as well as stage relatives, gather for casting discussions. In this discussion, the story that will be staged, the sequence of scenes and the dialogue that will be performed on stage will be discussed.
